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Burnard, Neville Northey British sculptor in the nineteenth century. Burnard's patron, the Cornish MP Sir Charles Lemon, 2nd Baronet had an indirect connection to British slavery through his father Sir William Lemon, 1st Baronet, who was a mortgage holder of the Belmont estate in St Vincent.
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Campbell, Thomas Scottish sculptor active in the nineteenth century.
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Caravanniez, Alfred French sculptor in the nineteenth and early twentieth centuries.
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Cardot, Jean Sculptor, second Grand Prix de Rome in 1956, teacher at the Beaux-Arts in Lyon and Paris, elected to the Académie des Beaux-Arts in 1983. He created several statues of personalities for Paris : Churchill, de Gaulle and Jefferson. He was also a Beaux-Arts inspector for the city of Paris.
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Carew, John Edward Irish sculptor active in the nineteenth century.
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Carpentière, Andries English sculptor of French or Flemish descent working in Britain at the beginning of eighteenth century.
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Cartwright, Thomas English stonemason and sculptor
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Cassidy, John Irish sculptor who worked in Manchester in the nineteenth and twentieth centuries. Cassidy is probably most well known for sculpting the statue of the slave-trader Edward Colston for Bristol in 1895, but he also produced other colonial works, including the two statues of John and Enriqueta Rylands in Manchester's John Rylands Library. -
Caymitte, Woodly Haitian sculptor, known as Filipo
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Chantrey, Francis Legatt English sculptor active in the early nineteenth century. Some of his notable colonial works include the statue of Edward Hyde East in Kolkata and the equestrian statue of Thomas Munro in Chennai. Chantrey also executed a number of monuments to figures with connections to transatlantic slavery, including a monument to Isaac Hawkins Browne in Badger, Shropshire, a monument to John 'Mad Jack' Fuller in Brightling, Sussex, and a bust of Charles Long, 1st Baron Farnborough, which is now in the collections of the National Gallery. -
Charpentier, Hector Martinican painter and sculptor
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Chatham, Herbert British sculptor active in the early twentieth century.
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Chaumot, Georges French sculptor in the twentieth century
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Chavalliaud, Léon-Joseph French sculptor in the nineteenth and twentieth centuries. -
Cheere, Henry English sculptor in the eighteenth century.
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Chiquet, Maxime French sculptor active in the twentieth century.
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Chongren, Zhang Chinese sculptor in the twentieth century and friend of the Belgian cartoonist Hergé. -
Cibber, Caius Gabriel Danish sculptor in the seventeenth century. -
Cibot, Élisabeth French sculptor active in the twentieth and twenty-first centuries.
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Clapperton, Thomas John Scottish sculptor active in the twentieth century.
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Clarke, George English sculptor active in the nineteenth century.
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Clarke, George Somers British architect and Egyptologist in the nineteenth and twentieth centuries.
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Cognac, Lobie French Guyanese artist
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Colton, William Robert British sculptor in the late nineteenth and early twentieth centuries. Some of his notable colonial works include the Boer War Memorial in Worcester and the Royal Artillery Boer War Memorial in London.
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Cornell, David British sculptor
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Crauk, Gustave French sculptor in the nineteenth and early twentieth centuries.
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Croggon, William British sculptor active in the early nineteenth century.
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Croisy, Aristide Onésyme French sculptor in the nineteenth century. -
Crook, Thomas Mewburn English sculptor in the nineteenth and twentieth centuries.
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Cruikshank, George British caricaturist and book illustrator active in the nineteenth century. Cruikshank's life overlapped with contemporary political debates over the institution of slavery in the early nineteenth-century British Empire. Many of his works, such as the 'The New Union Club' (1819) and 'An Emancipated N****' (1833), were explicitly pro-slavery and racist in their depiction of Black people. In 1822, Cruikshank produced a number of caricatures satirising Richard Westmacott's colossal bronze statue of Achilles, intended as a tribute to the Duke of Wellington, which reflected many of the gendered anxieties around the nude male body in the Regency era. There are also traces of racialised depictions in these caricatures. 'Backside & Front View of the Ladies Fancy-man, Paddy Carey', for instance, depicts a woman racialised as black amidst a group of white onlookers on the right hand side. -
Curillon, Pierre French sculptor in the nineteenth and twentieth centuries.
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Currie, Andrew Scottish sculptor in the nineteenth century.
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Dabro, Ante Croatian-born Australian sculptor
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Dance-Holland, Nathaniel British painter and politician in the eighteenth and early nineteenth centuries. -
Daumas, Louis-Joseph French sculptor in the nineteenth century.
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David d'Angers, Pierre-Jean French sculptor active in the nineteenth century. -
Davidson, Andrew Scottish sculptor in the nineteenth and twentieth centuries.
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Davis, Edward British sculptor in the nineteenth century.
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Day Keyworth junior, William English sculptor in the nineteenth and early twentieth centuries.
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de Pas, Jean-Marc French sculptor in the twentieth and twenty-first centuries.
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de Saint-Marceaux, René French sculptor in the nineteenth and early twentieth centuries. -
Delamarre, Raymond French sculptor active in the twentieth century.
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Descomps, Jean-Bernard French sculptor in the nineteenth and twentieth centuries.
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Despiau, Charles French sculptor in the nineteenth and twentieth centuries. -
Desruelles, Félix-Alexandre French sculptor in the nineteenth and twentieth centuries.
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Destreez, Jules-Constant French sculptor in the nineteenth and twentieth centuries.
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Dick, William Reid Scottish sculptor in the nineteenth and twentieth centuries. Some of his notable colonial works include the statue of David Livingstone in Zimbabwe and the statues of Lord Irwin and the Earl of Willingdon in Coronation Park, Delhi.
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Dizengremel, Laury Sculptor
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Dolle, A. French sculptor active in the early twentieth century.
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Doubleday, John British sculptor